Alan writes: << . I have noticed a few newer S&S grands damping to be not as effective, in the bass particularly. On first blush I was guessing that the felt is the culprit, but I haven't been in the position to investigate these pianos. >> Greetings, I have! The new model Steinways present some baffling production characteristics with the dampers. Combinations of these can show up as the aforementioned problems. Here are some: 1. Pinning. Steinway has a rich 160 year tradition of pinning problems, and the new damper actions are no exception. It is not uncommon to find a one year old piano with 25% of the pinning overly tight. In the hammerflanges, it creates a heavy and unresponsive touch, (especially when coupled with tight springs, and too much drop and let-off). In the damper assembly, the top-post pinning is often too tight, will make for slow damping. This particular pin doesn't see a lot of stress, so it doesn't loosen up much with use. 2. Damper wires. For some reason, the last few years of production have used wires that are really rough. You can hear the noise from them when you lift a damper by hand. It sounds and feels like a file rubbing against the guide bushing. In several rooms at the university, the new pianos are side by side with 40-70 year old Steinways and the old pianos wire is dead silent as it moves through the bushing. Polishing them doesn't seem to help, either. 3. Lateral pressure in the bushing. It may be that the damper dept. workers have to get a certain number of pianos traveled in a day and with a lot of side pressure, it is easier to make things appear stable. However, when combined with the rough wires, excessive side-pressure will slow a damper down, and if there is a little too much tension in the pinning, well, it all adds up! In addition, the excessive pressure and rough wire will gradually wear sideways, and the trichord felt will gradually be distorted to one side as the traveling goes to seed. This creates a delayed fault, and becomes a problem after several years of use. (Much like the nicks in the front rail pins produce really loose key-bushings after a year or two). I would check pinning first, then relieve the damper wires. It is also important to check the treble damper tray pivot block. These are no longer fitted snugly between the keybed and bottom of the belly rail structure. If they were, they wouldn't so easily twist, but it isn't uncommon to find that they have rotated on the single screw holding them in place. When this happens, the tray moves sideways and ALL damper traveling is affected. I have even found several pianos in which the screw was not given clearance in the pivot block, but rather, was threaded through the block and into the back of the action cavity. This destroyed the "clamping" effect of the screw and simply locked the block on the screw-threads. In the first dry season, the block was free to turn and no amount of tightening would resolve it. The head of the screw was anchored agains the bottom of the hole in the block and the only fix was to remove the block, drill the hole large enough for the screw to pass through it freely, and re-install. While you have the block out, pay attention to how tight the tray pivot pin is in the hole, sometimes there is a problem there, too. Slow dampers are just symptoms of other problems, and most back-actions need a couple of hours time to get really right, if you are lucky. Regards, Ed Foote RPT http://www.uk-piano.org/edfoote/index.html www.uk-piano.org/edfoote/well_tempered_piano.html
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