This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment With Tunelab a false beat will show up on the spectrum display as = another distinct peak (pitch) which will move in parallel w/the = authentic one as the tension is changed. Extreme false beats can cause = a lot of "noise" on the display, but the combination of phase & spectrum = display with the new features which help you zero in on the pitch make = it pretty precise. As with any ETD, aural tuning skills are essential = for efficient use. Aurally, the false beat will remain at a constant = speed, while the beat from the true pitch will vary in speed as the = string is tuned -- that's how you determine which one is correct. If I = encounter a string with a strong false beat, I will often move the mute = to find a cleaner string in the unison, set the pitch & then tune = aurally to that. (I nearly always tune my unisons aurally) If = necessary, I will tune all three strings with TL & then check the unison = & octave aurally, bearing in mind the sound of the false beat(s) of the = individual string(s). If noise in the unison matches the noise in the = false string & the octave is acceptable, I know I've done the best I can = with that unison & move on. What I find interesting with any ETD that I've tried, is that checking = individual strings of a clean, at-pitch unison with the ETD will give a = clean reading at the proper pitch. However, checking the open unison, = the ETD will sometimes indicate that it is slightly sharp or flat. Has = anyone else observed this? This again points out the need for good = aural skills --- but I sure like the TLPocket! By the way, one of the nicest features of TL is the spectrum display = which allows easy, un-muted pitch-raising. Robert has just come out = with an up-grade as well, which expands the capabilities considerably & = makes some functions significantly easier to use. Powerful pocket = product! Otto ----- Original Message -----=20 From: Avery Todd=20 To: College and University Technicians=20 Sent: Thursday, March 03, 2005 7:59 AM Subject: ETD Jumpiness (was Re: [CAUT] Sacrifice (was tuners- = technology)) List,=20 Really "never?" There can certainly be problems interpreting the = SAT's display, and when a string produces a "jumpy" display, yes, it can = be a problem tuning a really clean unison using the display alone. = According to Jim Coleman, the "jumpiness" is generally a result of a = feature of SAT: the ability to hear and display two pitches of a = "falsely beating" string simultaneously.=20 I find that the RCT (which I currently use) seems not to have = this problem, at least to the same degree. Sometimes I do need to move = the mike closer, but the display isn't usually ambiguous. At any rate, I = find that it is easier to interpret, using all three visual feedback = elements (spin, growing, blushing).=20 With some snips for brevity, along this line I'm curious to know if = the VT & Tunelab have any of this=20 "jumpiness" problem. I know my SAT III does!=20 Avery=20 Regards, Fred Sturm University of New Mexico ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/caut.php/attachments/a3/7f/d9/bf/attachment.htm ---------------------- multipart/alternative attachment--
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