> This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ---------------------- multipart/alternative attachment On 3/17/05 6:19 PM, "Fred Sturm" <fssturm@unm.edu> wrote: > There are some fairly efficient procedures to get a good range of color. A couple things have occurred to me that should be added to my previous post, more by way of emphasis than as new and different material: 1) When the una corda pedal is fully depressed, the pianist should be able to rely absolutely that this is where all hammers are softest. IOW, fully engaged should have a definite value (voicing level) and it should be a ver= y safe, reliable spot. So, in addition to what we do to the hammer, we need t= o be very finicky about keeping the stop screw well-regulated. The best una corda voicing job is lost as soon as the stop regulation migrates just a we= e bit, and the strings are contacted by the edge of the string grooves, or by felt that hasn=B9t been voiced. 2) There must absolutely be no spot within the play of the pedal that produces louder and harsher tone than the tre corde position (that=B9s fancy Eyetalian for hammers/keyboard in rest position, pedal not engaged). There is a real danger here with lacquered hammers =AD that there will be a spot just to the left of the string grooves that still has a bit of unbroken lacquer.=20 I ran into this very recently. Had done what I thought was a pretty nic= e voicing job, and, indeed, the artist seemed to like it, but said there was this problem on just three notes. When gradually easing off the pedal they got shrill suddenly. Yep, sure enough, I hadn=B9t inserted the needles quite close enough to the groove on those hammers. And in checking my work, I hadn=B9t tested a fine enough range of pedal play. The harsh sound came just as the foot barely rested on the pedal. Live and learn. (What I really learned was to break down and get out my reading glasses when doing crown voicing. No more of that denial game <g>). Regards, Fred Sturm University of New Mexico ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/caut.php/attachments/7c/db/f4/2b/attachment.htm ---------------------- multipart/alternative attachment--
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