This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment HTML MessageJim, When you've used the Pitchlocks on tri chord bass strings, do you just = attach the offending string to the next one, or do you use two and link = all three? I'd go look for the article in the Journal--<that would = take some time>--but I don't remember that it included bass strings. Barbara Richmond, RPT ----- Original Message -----=20 From: Jim Busby=20 To: ilvey@sbcglobal.net ; College and University Technicians=20 Sent: Monday, October 03, 2005 12:03 PM Subject: RE: [CAUT] pitchlock David, list, =20 The tri chord bass strings in a D are also greatly helped by = Pitchlocks.=20 =20 Jim Busby =20 -------------------------------------------------------------------------= ----- From: caut-bounces@ptg.org [mailto:caut-bounces@ptg.org] On Behalf Of = David Ilvedson Sent: Monday, October 03, 2005 9:06 AM To: caut@ptg.org; pianotech@ptg.org Subject: [CAUT] pitchlock =20 List, =20 Sometime ago I was complaining about a new Pleyel upright with at = least 8 mismatched bi-chord bass strings. I could'nt get a clean = unison and the octaves were impossible. A few weeks ago I installed = some pitchlock clips to the offending bass strings and voila...much = better unisons and octaves. I was going to change the bass strings... = Definitely worth keeping in the tool kit. =20 David I. ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/caut.php/attachments/46/88/0f/18/attachment.htm ---------------------- multipart/alternative attachment--
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