Fred, I appreciate your take on all of this. (Yours' too Ron). Does this mean that you float pitch in your university environment? Greg Newell At 07:53 PM 3/3/2006, you wrote: >On 3/3/06 3:52 PM, "Greg Newell" <gnewell at ameritech.net> wrote: > > > I gain from this that wood reacts very > > quickly on the intake and very slowly on the > > release. Since this is the case I still wonder > > how useful or accurate your readings and > > subsequent assumptions from RH are. You are very > > specific in your second paragraph about what you > > expect to face when dealing with your concert > > grand. While I'm sure that will be useful > > information to you I wonder how this relates to > > the real world environment in which we find many > > of our private customers pianos. I do some > > concert work but not on the scale or frequency > > with which you obviously do. This is a CAUT forum > > and your info can be quite useful in that realm. > > I guess I was just hoping to port it over to the rest of the world too. > > > > best, > > Greg >Hi Greg, > I gave a very specific example to show very specific practicality. In >private homes, I rarely have nearly as much intimate knowledge of conditions >from day to day, or even from month to month. Still, I record RH every >service, so over time I am able to track it to a limited extent, with >seasonal fluctuations if they tune other than the same time every year. This >allows me to advise them on how to achieve better tuning stability if that >is an issue, and to warn them of possible dangers of soundboard cracks and >the like if conditions warrant. It also allows me to explain in advance what >they might expect seasonally, for instance if they had the piano tuned at >the height of RH in late summer/early fall. > Over time, I have learned what a number of specific models of pianos do >seasonally in terms of tuning change, and expect and anticipate those >changes. It makes my life feel a little less random, I suppose. Changes are >accentuated in the university environment, with rapid air exchange HVAC >systems. When I first started at my university, in August at the peak of RH, >I was amazed at how sharp my predecessor had kept the pianos. Then I was >dismayed at how flat they had got by October. That was 20 years ago. I have >been obsessing about RH ever since, simply because it is the one factor I >can read and track, which tells me where I was and where I can expect to be >tomorrow. I still have a lot to learn about it. >Regards, >Fred Sturm >University of New Mexico > > >_______________________________________________ >caut list info: https://www.moypiano.com/resources/#archives Greg Newell Greg's piano Forté mailto:gnewell at ameritech.net
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