I, like Fred Sturm, have found that many of my clients prefer the more positive feel of the jack further under. I certainly never have cheating problems when adjusting that way unless there are flange problems. I might be tempted to try and eek out a little more speed of repetition if someone complained about it being slow but then there are so many other issues available I would rather address them first. So I'm saying being on the edge of cheating may not be the best position even for a concert regulation. I usually do as Fred with a taut thread line after setting end samples, then I check individually for anomalies. That yields a more consistent result than trying to do 88 individually, at least for me with my eyes and usual concentration level. I do like the "Garlick method" offered by Michael for a "quickie" though. Paul is right, we get such good food for thought at this trough. Lucky us. Chris Solliday -------------- next part -------------- An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/caut.php/attachments/20070808/81f5ffb5/attachment.html
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