Yes, I'm sure there are electronic keyboards out there that can do this. The name for this is 24 tone-to-the-octave equal temperament, and it has a long history, although this is not a particularly interesting temperament. I think it keeps coming up because it is so easy to conceptualize. Back in the days of voltage-controlled synthesizers, you just adjusted the pot that set the control voltage between the keyboard and oscillator(s) and you could get any number of notes in any interval you wanted as long as you could settle for equal temperament. Later, when MIDI came along, this temperament could be set up similar to the 2 pianos tuned a quarter-step apart. You could take two identical synth modules a quarter-step apart, and then use a computer to map a MIDI keyboard to control both synths -- C on the keyboard controller would play C on one of the synths and C# would play the C on the other synth tuned a quarter-step up and so on. I mention this mapped keyboard technique because one could take 2 PianoDisk pianos or 2 Disklaviers, tune them a quarter-step apart, and use a controller keyboard and computer to map the controller keyboard to play both pianos from one keyboard. (Play half-steps on the keyboard and hear quarter-steps from the pianos.) 2 Disklaviers would likely be slightly cheaper than designing and building a quarter-step piano. 8^) I might also suggest trying the technique with a computer and synths, because that would be cheap-cheap and would probably show the composer that this isn't a very interesting way of approaching microtonal scales. Kent Swafford On Dec 3, 2007, at 1:37 PM, Don Mannino wrote: > I have it on good authority that professional synthesizers can do > this, > realigning the whole keyboard pretty much any way you want. > Unfortunately the current Kawai 'stage piano' will not do it, > because it > isn't a full synth, just a good digital keyboard with midi controller > functions. > > The more consumer oriented things will allow tuning one octave pretty > much any way you want, but every octave is then set to the same - so > the > 'C's would all be correct, and then you'd have 1/2 octave of notes up > until the next C, etc. Notes C - f+ (F plus 1/4 tone) would be there, > but F# - b+ would not. > > Hope this helps. > > Don Mannino >
This PTG archive page provided courtesy of Moy Piano Service, LLC