I have been "reading the mail" on this subject, and I see a tendency to over-simplify. There is no single answer. It's a very complex issue. Begin with the soundboard modes themselves before any stringing. After stringing and full tension, everything changes. Down-bearing, string-tail length, board mass, board stiffness (including ribs), and the possibilities go on and on. The "bottom line" is, what is the compliance and the resonant frequency of the board after all is said and done? At what frequencies do the board's vibrations break up into standing waves, and where? Whatever the resonant frequency is, and how wide or narrow its bandwidth is will determine the dominant part of the tonal spectrum. I would not dare try to tell you what the solution is, because the problem is so complex. But the general "rule-of-thumbs" is: The stiffer and less compliant the bass-end of the board is, for whatever reason, the less low-frequency response it will have. The more compliant it is, the more low-frequency response it will have, but the faster those low frequencies will decay. Sincerely, Jim Ellis
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