Ric Brekne wrote: > BUT... given the physical limitations of the piano I have to wonder > something about just how much "brilliance" is in the grasp of players... > and in particular if his hands, heavy tho they may be, should indeed be > able to out power just about any other accomplished player. The action > will allow only so much hammer velocity yes ? Is not top velocity and for > that matter momentum within the reach of just about any very good player ? > Just how strong do you have to be ? I had a guest artist here once, from the same Russian tradition, who left me a note reporting a buzz on a particular bass note "when struck with a hard blow". It had never buzzed before, and there had never been a complaint. Five minutes before the house opened, after I was unable to make the note buzz with the strongest blow I could muster without breaking a finger, he came out and demonstrated. Yep. There it was. A very loud buzz, and it was not the sound of the string against the damper wire. In fact, I immediately wondered if it could possibly have been a string actually losing contact with the top of the bridge and slapping on the bridge. That is more like what it sounded like it might have been. Before I could think to hold my tongue, I blurted out, "you're going to break it!" After he left, I never could duplicate it in order to locate just what it was. I was afraid to try it too many times, or I might break it myself. It seems to me that one's top brilliance tends to be relative to their bottom, or vice versa, and it would make sense that it is related to the overall energy transferred through the arms. I don't particularly care to hear fffffffortissimo the way it was demonstrated for me that day. It was a very unmusical sound, even had there not been a buzz, and it seemed to me to be pushing beyond the design limitations of the instrument he was pounding on. But what does the technician know? Y'all have a nice weekend. Tanner
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