[CAUT] Semantics

David Ilvedson ilvey at sbcglobal.net
Sun May 10 23:54:53 MDT 2009


ooops...?

David Ilvedson, RPT
Pacifica, CA  94044

----- Original message ----------------------------------------
From: wbis290 <wbis290 at aol.com>
To: caut at ptg.org
Received: 5/10/2009 3:34:55 PM
Subject: Re: [CAUT] Semantics


>Hi Gary,

>I think that at some point this whole discussion has become one of being 
>unbelievable. I have been an RPT for thirty nine years and have seen things like this 
>the whole time that I have been a member. There are times when people seem to 
>get too technical and over state things. Sometimes it is from a good amount of 
>knowledge and sometimes I think that it is just talk to hear one's self. We had a 
>member of the Guild who makes soundboards give our chapter a talk on the science 
>of soundboards. This gentleman was invited to go in with Baldwin on studies of the 
>soundboard. After much research, it was discovered that the science of 
>soundboards was mostly guess work. What looked good in theory and research was 
>always thwarted by the fact that each individual piece of wood reacted differently 
>than what was expected. In short too many people are trying to reinvent something 
>that has worked great for years regardless of what terms are used. 

>God bless

>Bill Balmer, RPT
>University of Findlay and Ohio Northern University



>In a message dated 05/10/09 16:08:08 US Eastern Standard Time, 
>escapement at comcast.net writes:
>Reading my post back after submitting, I realize I might come across as a 
>bit stodgy.  Not my intent. 

>I have a great deal of respect for the contributors here--I have learned a 
>lot about piano technology and tuning in the last month or so reading this 
>list (and pianotech). 

>It's not my intent to offend anyone here and I should have prefaced my post 
>with my initial thanks for all the contributors.  This list and pianotech 
>are a godsend to me and I appreciate all of you and the vast knowledge here. 
>I also appreciate your generous spirit. 

>But I honestly find this issue a bit confusing. 

>Gary   

>-----Original Message----- 
>From: caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On Behalf Of 
>Escapement 
>Sent: Sunday, May 10, 2009 4:48 PM 
>To: caut at ptg.org 
>Subject: Re: [CAUT] Semantics 

>I'm new to the piano tuning world but I do have a background in computer 
>science and have worked with signal processing.  I just read through these 
>posts and have to admit I was thrown for a bit of a loop when I read that 
>it's now agreed that the soundboard should be called a "transducer." 

>My understanding of a transducer has always been that it is a device that 
>takes one form of information or energy and converts it into another form. 
>(Like the speaker example given where *electrical current* is converted to 
>physical vibrations through the electromagnetic voice coil).  The speaker 
>isn't a transducer because the voice coil vibrates the membrane -it's a 
>transducer because it takes the *electrical current* in the wire and 
>converts it to vibrations *(sound)*.  In the same way that a microphone is a 
>transducer because it takes *sound* and converts it to an *electrical 
>signal*. 

>But with the soundboard I don't see this conversion.  My understanding of 
>how a piano works is that the vibrations in the strings are coupled with the 
>vibrations in the bridge/ soundboard.  But it's vibrations to 
>vibrations-sound (though very slight) to sound (much louder).  I suppose you 
>could call the piano itself a transducer in that it (along with the player) 
>takes the information on the music page and converts it to sound.  But 
>calling the soundboard a transducer seems odd to me. 

>I agree that technically, the soundboard doesn't amplify the string energy, 
>per se, but it does make the sound louder because it is far more efficient 
>at taking that little bit of energy and converting it into sound energy. 

>My understanding of the soundboard is that it is a *resonator*-that it 
>reinforces and emphasizes the sounds generated by the strings, that the 
>strings and the soundboard work together to make the sound.  It is this 
>*resonance* that increases the sound output of the piano. 

>But I don't see the big deal in saying the soundboard amplifies the sound. 
>Though it doesn't amplify the energy, acting as a *resonator* it does take 
>that energy and (a great deal more efficiently) converts it to a much 
>*louder* sound.  And we measure loudness by *amplitude* of the sound/sine 
>wave.  So, saying the sound is "amplified" by the soundboard seems 
>reasonable to me. 

>I mean, are we supposed to say that the soundboard "transduces" the sound to 
>higher amplitude?  Is that really more instructive than, "the soundboard 
>helps to amplify the sound?"  To me, it just sounds confusing.  Again, my 
>understanding is that the soundboard acts as a resonator and reinforces the 
>sounds made by the strings to increase the sound output. to make it louder. 
>to amplify the sound. 

>I don't see a transducer in the soundboard. 

>When you strike a tuning fork and place it against a table, don't you say 
>the table amplifies the tuning fork?  Would anyone really argue with this? 
>Would you really say the table becomes a transducer?  Would it be more 
>correct to say that the table resonates along with the fork and increases 
>the sound output?  The table isn't a transducer. the fork vibrates, the 
>table vibrates (resonates).  And part of the definition of a resonator is 
>that it "amplifies" vibrations (but again, in the sense described above). 

>With respect, 

>Gary Hodge 

>PTG - ASSOCIATE MEMBER 

>-----Original Message----- 
>From: caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On Behalf Of Fred 
>Sturm 
>Sent: Saturday, May 09, 2009 10:22 PM 
>To: caut at ptg.org 
>Subject: Re: [CAUT] Semantics 

>On May 9, 2009, at 3:46 PM, David Love wrote: 

>> However, why can't one say "the volume of sound produced 
>> formerly limited by the inconsequential mass of the vibrating string   
>> alone 
>> is increased when the energy is transduced to the soundboard whose   
>> greater 
>> mass and area allow for the greater movement of air".  Substitute the 
>> colloquial meaning of amplified for increased and I don't think the   
>> physical 
>> world as we have come to know it will cease to exist or all soundboard 
>> science will be endangered. 

>   Yes, a "larger volume of sound" is produced by a vibrating string   
>coupled to a soundboard than is produced by a string vibrating but not   
>coupled to a soundboard. But I would ask you to read Del's posts   
>carefully. It doesn't really matter that an uncoupled string makes   
>sound. The driver of a speaker's membrane makes negligible sound. The   
>sound is produced by the vibration of the speaker membrane. The   
>speaker membrane isn't increasing the sound of the driver. It is   
>producing sound in response to the driver's vibration (the driver's   
>vibration causes the membrane to vibrate, which moves air molecules).   
>This is very much analogous to what happens with a string and a   
>soundboard assembly. 
>   This doesn't mean that someone who thinks that a soundboard makes a 

>string sound louder is stupid. It does mean that someone who holds   
>that opinion is ill-informed. It is a natural and even logical kind of   
>misinformation, which is why it is so widely held. It doesn't help   
>that advertising folks for piano manufacturers have been spreading the   
>misinformation. 
>   In any case, it is important to understand the mechanics. And this   
>ties back to the original topic, which had to do with the theory that   
>string vibrations could be coupled, through accujust hitchpins, to the   
>plate, and could make the plate vibrate/resonate in some way. If we   
>want to try to see if the analogy between a stake driven into the   
>earth, abraded by a hoe, and a string terminated on a vertical pin,   
>driven into a hole in a mass of cast iron, has any validity, well, it   
>helps to have some knowledge of the mechanics/physics involved, and to   
>use words carefully in describing what happens. 
>   All the hurt feelings and notions of disrespect and anger are very   
>much beside the point, and waste a lot of our collective time and   
>energy. Let's lose those arguments, okay? 
>    
>Regards, 
>Fred Sturm 
>University of New Mexico 
>fssturm at unm.edu 


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