[CAUT] VS-Profelt

Thomas Russell trussellpiano at isunet.net
Thu Aug 5 20:29:50 MDT 2010


Greetings,

I've had some real success using VS Profelt when re-sizing key  
bushings with warmed brass cauls.  I also use it on whippen felt and  
it really reduces the indentation created by the capstan.  Generally  
the hammers are raised almost to where they need to be without a lot  
of capstan turning.  A recent Tech letter from Pianotek said something  
about fabric relaxers used in the garment and dry cleaning industry  
being part of the recipe.  It made sense when I read it, but I don't  
remember the details and seem to have discarded the email.


Thomas Russell RPT
Iowa State University



On Aug 5, 2010, at 5:50 PM, caut-request at ptg.org wrote:

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> Today's Topics:
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>   1. Re: When to restring... (Jim Busby)
>   2. Re: When to restring... (Jim Busby)
>   3. Re: VS pro-felt? (Barbara Richmond)
>
> From: Jim Busby <jim_busby at byu.edu>
> Date: August 5, 2010 5:30:56 PM CDT
> To: "caut at ptg.org" <caut at ptg.org>
> Subject: Re: [CAUT] When to restring...
> Reply-To: caut at ptg.org
>
>
> Jeff,
>
> Good question. Obviously I think it is necessary. People think I’m  
> nuts, but this is one thing I’ve experimented enough with that I  
> think is worth doing. If even one agraffe starts to sizzle in a  
> month, a year, or 5 years later, and I have to remove it, how much  
> time does THAT take to restring, etc? If 4 or 5 do it, then who’s  
> wasting time? That’s my point.
>
> I don’t believe it is as you say below because I have tested  
> polished agraffes by installing them and pulling the note up to  
> pitch, then removing them to see what happens to the newly polished  
> agraffes. They showed no sign of a groove. After about 1 year, and  
> again 3 years I took one off, and it still looked good!
>
>  So… here’s my theory; Most new agraffes don’t have a very tapered,  
> smooth hole. There are some rather sharp, angular and jagged things  
> living in there. Eventually the string movement causes this stuff to  
> move and form a lip that can “sing” against the string on some  
> agraffes. So, we replace them and go through it again. With the  
> polishing method there is no garbage to push into a lip. Only a  
> smooth, nearly frictionless surface with a better shape. Worth the  
> two hours labor. But of course, I make our slave labor do that stuff  
> <G>.
>
> Regards,
> Jim
>
>
>
> That's the point. Is it possible to get the capo as clean as the  
> agraffe, and is it necessary?  Don't we all pretty much agree that  
> the extra polishing to the agraffe is rendered null as soon as the  
> new wire is pulled to tension with the wire serving as a burnisher  
> of sorts and distorting the new beautiful work just performed?
>
> Jeff
>
> Isn’t the inside of the agraffe just a “mini v-bar”?
>
> Best,
> Jim
>
>
>
>
> From: Jim Busby <jim_busby at byu.edu>
> Date: August 5, 2010 5:36:53 PM CDT
> To: "caut at ptg.org" <caut at ptg.org>
> Subject: Re: [CAUT] When to restring...
> Reply-To: caut at ptg.org
>
>
> Paul,
>
> I pushed “send” before seeing your post.
>
> If you experiment with some polished agraffes vs. new untouched  
> you’ll see that it really does seem to deform less. I’m sure you  
> know that, but it’s been 5 years since you showed me this method and  
> I’ve seen much less “distorting” of the holes. Maybe some more of  
> your good pictures will help.
>
> (Maybe I’ve got too much time on my hands! <G>)
>
> Regards,
> Jim Busby
>
> From: caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On Behalf  
> Of PAULREVENKOJONES at aol.com
> Sent: Thursday, August 05, 2010 3:58 PM
> To: caut at ptg.org
> Subject: Re: [CAUT] When to restring...
>
>
>
> In a message dated 8/5/2010 4:24:31 P.M. Central Daylight Time, tannertuner at bellsouth.net 
>  writes:
> Don't we all pretty much agree that the extra polishing to the  
> agraffe is rendered null as soon as the new wire is pulled to  
> tension with the wire serving as a burnisher of sorts and distorting  
> the new beautiful work just performed?
> As much as we all agree that, as soon as a wire is rendered under  
> tension under the capo that the "perfect" contour erodes. So why  
> bother at all, Jeff? My answer is, and always has been, that if we  
> don't start from as close to a perfect condition, knowing that it  
> will degrade, how will we know how it might sound. I don't for a  
> moment think you are arguing lack of quality, but we spend  
> inordinate amounts of time on bridges, and tuning temperaments,  
> knowing that they'll degrade almost as, and as soon as, we finish  
> them.
>
> Paul
>
>
>
> From: Barbara Richmond <piano57 at comcast.net>
> Date: August 5, 2010 5:45:07 PM CDT
> To: caut at ptg.org
> Subject: Re: [CAUT] VS pro-felt?
> Reply-To: caut at ptg.org
>
>
> Golly Paul,
>
> I don't think the stuff is bunk.  I just resized some key bushings  
> that weren't in bad worn, but didn't fit right, either.  It sure was  
> easy work (because I had the correct size cauls)--and I didn't have  
> to deal with steam.  It's taken a couple tries to get the hang of  
> using the stuff--I'm glad I didn't give up.
>
> Barbara Richmond, RPT
> near Peoria, Illinois
>
>
>
> ----- Original Message -----
> From: "Paul T Williams" <pwilliams4 at unlnotes.unl.edu>
> To: caut at ptg.org
> Sent: Thursday, August 5, 2010 3:40:03 PM
> Subject: Re: [CAUT] lanolin in hammers/VS pro-felt?
>
> sorry, Fred,
>
> I applied it to the felt under the leather.  Of course, it "leaked"  
> into the leather which was not the intent.  Still, nothing positive  
> happened.  I think this stuff is bunk.
>
> Paul
>
>
>
> From:	Fred Sturm <fssturm at unm.edu>
> To:	caut at ptg.org
> Date:	08/05/2010 03:36 PM
> Subject:	Re: [CAUT] lanolin in hammers/VS pro-felt?
>
>
>
>
>
> On Aug 5, 2010, at 2:28 PM, Paul T Williams wrote:
>
> I've never put it on leather.....why would I?
>
>
> I thought you said you tried it on knuckles. Or were those the  
> famous felt knuckles, not covered in leather?
> Regards,
> Fred Sturm
> fssturm at unm.edu
> "Travel is fatal to prejudice, bigotry, and narrow-mindedness." Twain
>
>
>
>
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