Hi, Alan, Yes...I've hoping that Ron would chime in. While I think it would be cool for supply houses to at least have this kind of thing available as a service, they can't really do that until there's enough demand...and that implies acceptance of this process by a fair percentage of active technicians. This is still pretty much bleeding edge technology for piano work, so I suspect that it will be some time, if ever, before this would be a commercially viable service for a supply house to provide. Best. Horace "Alan Eder" <reggaepass at aol.com> wrote: >Hi Horace, et. al., > > >In terms of the electorless nickel plating: > >Isn't that what Ron Overs does to his agraffes? When I first read about it, I encouraged Bob Marinelli to handle such an item, but so far no dice. Maybe if there is more widespread interest, it will happen. > > >Alan Eder > > >-----Original Message----- >From: Horace Greeley <hgreeley at sonic.net> >To: caut <caut at ptg.org> >Sent: Mon, Nov 15, 2010 8:22 am >Subject: Re: [CAUT] Toughest piece for piano stability? > > > >Hi, Alan, > >At 09:22 AM 11/15/2010, you wrote: >>Enjoyed your post. > >Thanks. > >> Regarding these agraffes, where does one purchase these? > >I'm not sure. I used to get them from Bosendorfer, but used up the >last of that supply a year or so ago and haven't really looked >since. Brent might know. > >> And for that matter, is there a third-party supplier of pinned agraffes? > >Not sure...maybe Jurgen or Jahn. I don't think anything like that >has been made in the U.S. since the middle of the 19th Century, and >then only as pilots and/or for patent purposes. Del might know more >about that part...wish Harold Conklin were still with us, I'm sure he >could shed some light, too. > >In terms of the electorless nickel plating: What I've done so far >is, I admit, not terribly scientific. I get appropriate agraffes, >polish them in a tumbling rock polisher until they sparkle plenty >(thanks to those who pick that one up), and then take them to >whatever plater is willing to play with small lot jobs that don't pay >very well. > >In the SF Bay area, there are a couple of places which have done this >with good results: > >http://www.eps-plating.com/ > >http://www.electro-coatings.com/ > >If I were doing production rebuilding the way some on this list do, I >might look for places outside CA for this kind of work. The CA >version of the EPA (and, especially the five counties around the Bay) >have exceptionally strict (and very expensive) controls on this kind >of processing, so the costs aren't low. On the other hand, the fact >that firms like this are active here also means that the business is >sufficiently lucrative for them to stay. > >In any event, as we so often discuss on this list, if you want >quality work, you have to pay for it... > >Sorry I can't be of more help with the pinned agraffes. I'm sure >someone else will have better answers. > >Best. > >Horace > > > >>Thanks. >> >>Alan >> >> >>-- Alan McCoy, RPT >>Eastern Washington University >><amccoy at ewu.htm>amccoy at ewu.edu >> >> >> >> >>From: Horace Greeley <<hgreeley at sonic.htm>hgreeley at sonic.net> >>Reply-To: CAUTlist <<caut at ptg.htm>caut at ptg.org> >>Date: Fri, 12 Nov 2010 00:44:47 -0800 >>To: CAUTlist <<caut at ptg.htm>caut at ptg.org> >>Subject: Re: [CAUT] Toughest piece for piano stability? >> >>After >>playing with this a bit, I'm pretty sure that I would go with the >>electroless nickel plated agraffes (and, probably bridge pins). > > > >
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