[CAUT] Stuart & Son on NPR

Delwin D Fandrich del at fandrichpiano.com
Thu Jan 20 08:49:01 MST 2011


Do you attribute the horrible sound to the stamped bridge agraffe? Or to the
general design and construction of the piano?

 

ddf

 

Delwin D Fandrich

Piano Design & Fabrication

620 South Tower Avenue

Centralia, Washington 98531 USA

del at fandrichpiano.com

ddfandrich at gmail.com
Phone  360.736.7563

 

From: caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On Behalf Of Ed
Sutton
Sent: Thursday, January 20, 2011 2:51 AM
To: caut at ptg.org
Subject: Re: [CAUT] Stuart & Son on NPR

 

Fred-

 

I've tuned a piano with the pressed metal Avisus agraffe. It was definitely
an economy production piano, and sounded horrible, much worse than the
average 85 year old piano. The sound was very evenly horrible.

 

Ed Sutton

 

----- Original Message ----- 

From: Fred Sturm <mailto:fssturm at unm.edu>  

To: caut at ptg.org 

Sent: Wednesday, January 19, 2011 10:59 PM

Subject: Re: [CAUT] Stuart & Son on NPR

 

On Jan 19, 2011, at 7:18 PM, Edward Sambell wrote:





What of the effect of no downbearing load? And side bearing of the bridge
pins exerts a twisting forse on the bridge. Alfred Knight recognized this in
his verticals; the bass bridges have the bottom half of the bridge pins
leaning at the opposite angle.

Ted Sambell

 

Yes, lots of variables, especially with the no downbearing design. The
termination and coupling differs in many ways, including no more twisting
force as you describe. It is entirely metal rather than wood and metal.
Entirely horizontal rather than captured in a acute angle between a metal
pin and wood. Coupled between two horizontal fixtures rather than two angled
vertical fixtures.  

The patent Ron posted is quite interesting in that it emphasizes the
production value of the invention: a fixture stamped out of sheet metal and
bent, with the addition of up to three rods either round or part round.
Saves the time and effort of marking out, drilling, notching, installing
bridge pins, replacing it with marking and screwing a fixture to the bridge
top. Stringing is far easier than with an agraffe that requires threading:
just string normally and install the down pressing rod. All in all, a way to
make pianos more inexpensively. One of thousands of such ideas, most of
which have virtually disappeared.

Regards,

Fred Sturm

fssturm at unm.edu

"I am only interested in music that is better than it can be played."
Schnabel

 

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