On Tue, 12 Dec 1995, David Porritt wrote: > I think we should always do our best work. Tuning as well as we can be it > old upright or new Steinway. There is, however, the realization that no > matter what I do to this 36" Whitney it will not sound good. After an > hour making as good a compromise as possible on it, 8 more hours (of > tuning) just won't improve it. We can really lower our frustration level > when we realize that fact. > > Dave Porritt > SMU - Dallas > This is very true: the 36" will never sound "good", but it may be the owner's only alternative to _no_ piano. We knew about the reverse curve when we decided to be piano tuners: the cheapest are the most expensive to maintain. I often share this irony with my customers. I then assure them that I will do everything in my power to assure that the piano at least sounds better than before when I finish. I spend a minimum of two hours on every piano. I also tell the customer that the results will be even better if they don't wait so long before the next tuning. I got into tuning in the early sixties because none of the tuners I could find at the time could meet my standards as a pianist. I still tune every piano as though it were my own, and the only one I possess. I have been glad to see the overall integrity of our profession become apparent in this thread. Truth be known, I would be tempted to charge more for the dogs and pay someone for the thrill of tuning a nice grand, but that just won't fly! ;-} Gordon Wilson Keyboard Studio Urbana, Illinois
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