Ed, Thanks for your comments. I think the overstretching you mentioned is what is happening in regards to my original question from a piano teacher on another list. The information Randy posted was very interesting to me. I appreciated him taking the time to do so. In regards to another of your comments: > You may have to lower then several times since lowering the tension on one note will dramatically raise the pitch again on adjacent notes. is this why it is so hard to get a piano down to pitch when is has been tuned sharp at the factory or has just gone very sharp from excess humidity? I've never really understood why. I can understand when raising the pitch because of stretching the strings back out, and soundboard movement, etc. As far as stretching in my own tunings, I don't "consciously" stretch to the point where I can hear obvious beats. As a musician, I don't like that. With arpeggios and fast notes it probably isn't too noticeable, but in slow legato playing, esp. with octaves in that area, I just don't like to hear wildly beating octaves. I had a good tuner tell me once that if a double, or maybe a triple octave sounds pretty clean, that is enough stretch. I've also found that is easy for me to tell if I'm going too sharp on those last few notes while actually tuning them if I will play a broken octave very softly. If the top note is too sharp, I can hear it, while playing a solid octave loudly, sometimes I can't. Of course, then I go ahead and do the other checks to verify what I've just done. Thanks again for you post and I hope you had a good Christmas and will have a great New Year. Avery Todd, RPT University of Houston atodd@uh.edu
This PTG archive page provided courtesy of Moy Piano Service, LLC