Greg & Mary Ellen Newell wrote: > > Salutations, > I wonder if any of you out there have enough experience with Dean's > newest offering to share your experience with it's use in high noise > environments. This has long been one of the draws in having one of > these toys. I feel that I do a good job tuning aurally when I can > actually hear what I'm tuning but as we all know that aint always > possible. I just saw Dean's program in demo at our local chapter > meeting and forgot to ask this one very important consideration. > Dean if your out there feel free to chime in a response if you wish. > Any input from all the rest of you is also most welcome. > Greg > Greg & Mary Ellen Newell > Greg's Piano Forte' > 12970 Harlon Ave. > Lakewood, OH 44107 > > e-mail; > gnewell@en.com or > dt945@cleveland.freenet.edu > (216) 226-3791 > > .- I think the highest noise environment I have to work in is between sets at the jazz club. With everybody talking and my head completely inside the piano, I can sort of make a unison sound a little better. If it's real bad. With the Cybertuner, the pattern is a little jumpy in the mid-range but it's still possible to tune real nice unisons. I think you need to turn off the auto-switching feature, though. Also, today, I tuned the treble section of a piano with the maid vacuuming in the room. Didn't have to stop her. I believe Dean did say that a vacuum might be a problem - maybe he meant in lower ranges. -- Thomas A. Cole, RPT Santa Cruz, California
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