In a message dated 96-02-16 22:35:46 EST, you write: >According to Paul Monachino, who worked for Aeolian, then Mason & Hamlin, >from 1947 to 1995, Aeolian made a small grand (about 4'10"?) in their East >Rochester, NY factory which, beginning in the 1960s, had a weak plate, prone >to breakage. It was sold under a variety of names, including J. & C. Fischer >and Geo. Steck. Paul said lots of these broke in the factory when the piano >was being strung, but often they would break in the field too, sometimes many >years after manufacture. Last year I put a note about this phenomenon in the >third edition of The Piano Book, under "Aeolian", so that technicians who ran >into trouble with these pianos could use the power of the printed word to >help defend themselves against disgruntled customers. Marnie Squire's >valiant and successful defense against a lawsuit (see message above) prompted >me to do this. > >Larry Fine Larry, Here I go again with another broken plate story. I got a call to tune a Mason&Hamlin Grand. I think it was a Model "A" but it could have been a "AA" I don't remember. It was built in the early 70's. Did they make a "AA" then? Anyway I tuned it and it turned out fine. They called me about 6 or 8 months later which wasn't really enough frequency for a church but not way out of line and when I got there the piano was over 40 cents flat in the treble and I thought, either I had better take up a new line of work or something was really wrong. Sure enough the plate strut nearest the low treble had a small narrow crack branching up toward the top of the strut. The Pastors wife was the Pianist for the church and I don't think they would have called as soon as they had because it was just kind of a poor country church but later the Pastor's wife told me she called because the piano went out of tune "all of a sudden" like it was overnight hmmmm.... I don't remember all the details like time of year etc. but I wonder if a sudden change in temperature could cause this. I informed them I couldn't tune it with any accuracy and told them some options. I'll bet there were some people in that church that thought I was somehow at fault but they never said anything. When I looked closely at the plate it looked like a very crude rough casting like it was made in a third world country or something. BTW the first time I saw the piano I did all of the usual plate screw tightening, string seating etc. There was no big change in tension like a huge pitch raise or anything, I just think it was a poorly built piano like alot of those Aeolian grands with the hammers with a light green color to the felt. Ugh! Maybe the small 4' 10" grands weren't the only ones with problem plates from that era. Doug Hershberger,RPT
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