On Sun, 13 Apr 1997, David ilvedson wrote: > > Date: Fri, 11 Apr 1997 13:01:04 -0700 > > From: Rick.Florence@ASU.Edu > > Subject: Prepared piano > > To: pianotech@byu.edu > > Reply-to: pianotech@byu.edu > > Rick, > > It seems that a bit of tape on the agraffe and/or damper head > can give the pianist a good idea where to strike unless he > insists on working beyond the dampers. > > David ilvedson, RPT > Pacifica, CA Okay. Get ready. What follows is a personal opinion. Subjective at best; REALLY biased at worst. As someone who has been both playing and servicing pianos for virtually my entire life I'd like to make a comment on this re- cent thread on "prepared" pianos. Not only doesn't it matter HOW one marks the strings for a prepared piano, neither does it matter IF they marked at all, the noise and nonsense which follows will be equally as bad. I mean, comparatively-speaking, even when Jerry Lee poured lighter-fluid in his piano, tossed in a match, set it on fire and kept on playing, at least it served to enhance the effectiveness of the music being played. I guess what it comes down to is that I would much rather hear a prepared PIANIST, than a prepared piano! Les (sometimes accused of being opinionated!) Smith
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