Greg, At 11:31 AM 12/10/97 -0600, you wrote: >A few years ago I did some action work on a Mehlin 5' 4" baby grand with the >slanted soundboard and violin type bridge (bass bridge was tall and had oval >holes in the middle) and this piano just "sang". Don't remember how old it >was but I think it was made in the 30's or 40's maybe. It sounded "big", >more like a 6 footer... I'm pretty sure that that Mehlin would have been older than that. Truly wonderful pianos. Tall, stately bridges, beautiful woodworking. I no longer have my notes from several of those, but I do seem to remember a slightly lower tension scale. Several had the plate poured in a very complex, compound curve that was especially noticable throughout the pin wells. The boards, also, seemed thinner, with more ribs that had smaller crossections. Marvelous instruments. Best. Horace > >Regards, >Greg Torres > >-----Original Message----- >From: Danny Moore <danmoore@ih2000.net> >To: pianotech@ptg.org <pianotech@ptg.org> >Date: Tuesday, December 09, 1997 5:05 AM >Subject: Re: Soundboard Thoughts > > >(snipped) > > >>Have you or anyone else studied Paul G. Mehlin's ideas? I've always >thought that he >>had been a violin maker in Germany, but got into piano design & >manufacturing when >>he came to the U.S. I've only seen one Mehlin 9 ft. concert grand, but it >did, in >>fact, have the slanting soundboard and narrower treble bridge. It also had >a hole >>in the sound board at end of the bass bridge. We could never figure out if >it was >>supposed to be a "tone hole" like on a violin, or perhaps a drain since the >board >>was slanted. Unfortunately, the piano was in pretty bad shape - it sounded >>terrible! Nobody had the guts to put out the money to rebuild it for fear >that, >>because of the odd design, it would still sound terrible. > > > > Horace Greeley Systems Analyst/Engineer Controller's Office Stanford University email: hgreeley@leland.stanford.edu voice mail: 650.725.9062 fax: 650.725.8014
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