Greetings list, Rob wrote; > I've been working with this problem for some time: I've done a > soundboard separation repair and I have a crack to fill on the board > itself. Some can be done using maple wedges, but smaller, more > elusive cracks I fill with a G2 epoxy (fairly elastic but strong, > used for laminating tennis rackets or X-country skis.) It would seem to me that a fairly elastic glue would not be appropriate for a soundboard, as it would increase the damping. This may be purely academic on a small crack or two, but board-length cracks and separations may require enough material to make a difference. Glues used in the wooden soundboards of musical instruments should be as acoustically "transparent" as possible. I believe that Steinway still uses hide glue to lay up their soundboards. There is a difference in the impedance of a joint that has been epoxied together, and one that has been glued with hot hide glue, or ( as Willis Snyder proposes), Resourcinol. Also, can you explain the use of "maple wedges" , as I would not expect maple and spruce to get along very well. Regards, Ed Foote Precision Piano Works Nashville, Tn.
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