Wim, That's also my point of view concerning voicing hammers. I really think you can't improve much the tone quality of a piano. This doesn't mean at all you can't change it (make it softer or more brilliant) but really improve, I don't think it's possible. Peter Kestens KESTENS.P@Debcom.BE ---------- > Van: Wimblees@aol.com > Aan: pianotech@ptg.org > Onderwerp: Re: hammers > Datum: mercredi 11 juin 1997 14:32 > > In a message dated 97-06-11 00:38:28 EDT, you write: > > >If there's any interest with you folks, how about a discourse on your > >favorite hammers and voicing proceedure(s) and why? > > > >Are you apt to voice down to mellow...or do you like them to "bite"..if > >so, under what circumstances? > > > I like to replace hammers with the manufactuer's hammers, when at all > possible. When the company is no longer in business, I usually go with > Renners. On less expensive pianos, I have used Standard hammers from Schaff. > > For the most part, shaping the hammers, and maybe a little lacquer here and > there, gets me where I want to be for voicing. And voicing is more of an > evening out of tone, than changing the color. > > I personally am of the belief that too many techs are spending too much time > "manipulating" hammers over and above what is necessary. By this I mean they > are trying to make the piano sound too much different than what the hammer is > trying to produce. > > As I explain to my customers, tone is like collor. One is not better than > another. Just as one person likes blue, but not green, one person is going to > like a bright sound, and another a soft sound. Of course, if a customer tells > you ahead of time that they like a soft sound, you should avoid an Oriental > hammer. By the same token, if the customer wants a bright sound, stay away > from a Ronson or Standard hammer. Yes, hammers can all be "manipulated" to > produce those tones, but why work so hard, and possibly ruin the hammer. > > Just my point of view. > > Wim Blees RPT > St. Louis
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