Another factor regarding moisture is that boards tend to warp across the grain. The direction of this warpage can be predicted by which side the board is "up". The illustrations in wood working books illustrate this . Thus they can in warping break away from the ribs from their middle or their edges. Wood shrinks also across the grain with dryness, another cause of cracks. However 'cured' wood shouldn't do this. But with alternating periods of humidity and dryness, cracks from shrinkage might be more common. . The load or pressure on the sb from the strings, I was told amounted to a small elephant standing on it. Another source said 1,400 lbs. (either a small elephand or a large cow) Would like to find the formula to compute this. Must have something to do with vectors. Would also like to know if the ribs are bent before glued to the sb.if they are glued to a already bent sb, or if sb and ribs are glued together then bent together. Probably different for each manufacturer? Richard Moody ---------- > From: rhohf@idcnet.com > To: pianotech@ptg.org > Subject: Re: Soundboards/stress > Date: Thursday, June 12, 1997 7:26 AM > > There have been a lot of interesting and thoughtful ideas in this thread. One > of the things that makes this business so fascinating is that we have been > making soundboards for centuries, but the fundamentals are still so poorly > understood: > a soundboard with ribs attached > is a complex system containing tension _and_ compression. > > > All of my comments refer to unloaded soundboards. So what does loading do to > the stresses? Applying downbearing does not simply put the board into > compression: if it did, boards would not crack. > > Bob Hohf > Wisconsin >
This PTG archive page provided courtesy of Moy Piano Service, LLC