Many musicians now have "pocket tuners", electronic devices that are as small as a tape cassette case, and under $50. They are accurate to 1/2 --- 1/4 a cycle per second at a' 440. Now that pitch can be determined to this degree, by "the masses", they need also to understand that the pitch of a piano like all the other instruments of the orchestra can and does vary during performance, or simply just sitting there. For most situations it is not practical to change the pitch of a piano less than two cycles per second. In any pitch raising you have to guess how far above 440 to go, so you will be lucky to get with in a half cycle, and even then in the next 24 hours you can expect reaction to the new tension. Also through experience I have found that it is futile to worry about a sudden pitch change for the first 48 hours. After drastic weather changes pianos have a funny way of comming back. But on the other hand if we had to adjust the piano for every one cycle per second deviation, we would have a lot more business. If you mention this to the party that wants the pitch to be to other standards, and the added costs for the additional tunings, they begin to get the picture, or perhaps you get more work. The closer the tolerence the higher the cost. Richard Moody ---------- > From: robert sadowski <rls@ncinter.net> > To: pianotech@ptg.org > Subject: Perfect pitch > Date: Friday, April 03, 1998 2:31 PM > > Dear list, > I was tuning today for a Sunday concert and a musician came in and told > me that he wanted the two pianos in question to be tuned to A441. He said > he just returned from a practice room and that piano was A439. Now I'm a > firm believer in the human computer but is this possible? I know he wasn't > carrying an RCT with him to know. It's hard for me to believe anyone can > detect 1 cps difference by listening. Am I in the dark about this? > > Thanks, > Bob Sadowski RPT > Erie, PA.
This PTG archive page provided courtesy of Moy Piano Service, LLC