There is a place for hard pounding but most of the time, IMHO, it is a waste of effort and tough on the anatomy (yours and the piano's). When I was first learning to tune, hammer technique was stressed. It was important to feel what the tuning pin is doing within the pinblock. Firm test blows are used to verify your technique, not to settle the string. Once you learn good technique and hard test blows do not disturb the tuning, then what is the point of continuing the punishment? Different pianos, and different players, require different tuning hammer technique. For example, if loud test blows ruin my tuning on the first few pins (of a concert grand), then I change the way I set the pins. Once I find the method that works on a given piano, I'll tune the rest of the way with soft to moderate test blows - soft in the bass, moderate in the upper registers. My observations about pin setting is that I tend to overset tuning pins, even if I use very soft test blows. That, unless a piano is played hard and often, the piano quite often winds up a little sharp when I return in a year's time. What I try to do is to leave the pins feeling about the same as I found them by first experimenting with how much sharp and flat I can twist the pins without turning the whole pin. If I can move the pitch quite a bit flat without it springing back up close to pitch, I can guess that the piano has gotten light use. If the pitch will not stay flat but wants to spring back to where I found it, then I might assume the piano gets some hard playing. Taking preliminary readings in this manner, I will then tune with a similar pin-setting technique and can expect the tuning to remain stable, all conditions being equal. For further readings on this subject, read the May, '96 PTJ article by Chris Trivellas entitled "Tuning Stability Etudes." Chris lists the various hammer techniques you can use, how you can improve your technique and has some interesting things to say about pounding. Have a quiet day. Tom -- Thomas A. Cole RPT Santa Cruz, CA
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