Dear Del and others, My point was that the mauafactureres are thinking that unless their pianos emulate this one type same sound that their instrument will not be accepted. I think the critics, or recording engineers or someone with a lot of influence is the force responsible for this sameness. I have a Cd with about 10 or so different Seinways from squares to uprights to an S to several D's. They are all recorded in the same place, I assume in ET, and they sound pretty similar even though they are vastly different. Why not listen to a concert on a Steinway 45" or a S. If not a great deal of volume is needed what possible differrences could there be. Anyone hear any concerts on a P-22 or a U-1, or for that matter a WX-7 or a Baldwin 6000 with its "booming bass".? It is said in theatre organ circles that anyone can sound good on a large TO but it takes great skill to wring out a great sound form a 10 or so rank TO. James Grebe waiting for the hits. James Grebe R.P.T. of the P.T.G. "Success is not just a goal, but a way of life"
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