In a message dated 98-03-17 10:28:37 EST, you write: << Bill's seems to be coming from the direction of compensating for the pitch shift due to coupling of multiple strings. >> No, sorry, the coupled motion effect is only part of it. When you have an HT such as a WT, VT, MT or MMT, there are a certain number of notes tuned sharp of theoretical ET and a certain number tuned flat. While the A is not exactly at the half way point, it is close to it. Because of inharmonicity, A4 tuned exactly at 0.0 on its fundamental will read a positive number when read on octave 5, usually between 1¢ and 2¢. Setting A3 at 0.0 and reading it on octave 5 throws it slightly flat of where it would need to be at Standard Pitch in a theoretical ET. It also will throw A4 slightly flat of Standard pitch but still within a reasonable tolerance. The coupled motion of strings effect will throw it still flatter but still within that reasonable tolerance. At this slightly flat of Standard pitch (but within a reasonable tolerance of it), the A now is in a position to be almost exactly at the mean point of all notes which have a deviation to the sharp or flat side of theoretical ET. Therefore, each note will be the closest to theoretical ET as it possibly can be and therefore the temperament will be the most compatible that it can be with other fixed pitch instruments tuned at A-440. This has worked very well for me. I can tune a Yamaha Diskclavier in a VT for example and have the piano be perfectly compatible with the MIDI Orchestra software. It also works when a church wants the piano "tuned to the organ". There has never been any problem with incompatibility. It will also work in a situation where there is an acoustic piano and synthesizers or other electronic keyboards. Bill Bremmer RPT Madison, Wisconsin
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