---------- > From: Susan Kline <skline@proaxis.com> > To: pianotech@ptg.org > Subject: Re: HT's (Ad Nauseum) > Date: Thursday, February 19, 1998 2:10 AM > > >And no one > except Ralph and maybe Richard Moody has mentioned 2nds and 7ths. While > we don't deal with them in tuning, they DO have flavors of their own, > which no doubt we are used to hearing a certain way. > Getting fairly deep into things like the colors of 7ths and 2nds is going > to take some work. > > Susan Seconds ? oh,, well,, yes,, seconds. You see it all started when I was playing Chopsticks at Ralph's party, or was it Jim's party. You know the old argument, that's a second, no its a seventh. And some one was saying something about it being the dominant seventh because it resolves half a step down to the third of the tonic. You must be reading my mind susan, I spent a coupla hours figuring out a 9/8 temperament on a spread sheet. Its the old mean tone problem, do something logical with the white keys, and wing it with the black keys. I said the heck with the meantone, I'll take the whole tone. Hmm I wonder what a 10/9 would look like. Everyone knows I am muttering about ratios in the diatonic scale right? 9/8 is a major second. 10/9 is the other one. Susan finally hit on the great concern of HT advocates, it gives the keys their "color" and "character". Now with Tom's offal pun, about a piece in HT, I would say he was experiencing key character, at least subliminally. Db then must be gut wrenching in a shade of brown. R Moody
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