Bill Bremmer writes: >Any kind of Strobe Tuner is inadequate for tuning a piano. It does not >provide the right information and is not nearly sensitive enough. If, by "Strobe Tuner", we mean a tuning device that does not have any stretch (all octave fundamental ratios are 2:1), then I quite agree that such devices are inadequate for professional tuning. However, there is nothing in the meaning of "Strobe Tuners" generally that require that they have no stretch. To me, the term "Strobe Tuner" implies a means of indicating a pitch by sampling the phase of the measured signal using a reference clock (or "strobe" signal). The two most common Strobe Tuners (Conn and Peterson) both use mechanical means to generate their pattern. But the SAT is also a Strobe Tuner. Instead of using a mechanical wheel, it uses an electronic simulation of a wheel. Instead of sampling the phase with a flashing neon light, the SAT samples the measured signal using electronic "gates" to take an electronic snapshot of the measured signal where the reference signal controls the "shutter". But the effect is the same. The pattern of lights in the SAT indicates the phase difference between the measured signal and the internally generated reference. Of course, the SAT is also more sophisticated inthat it uses a bandpass filter to focus on one selected partial, and it uses a custom stretch calculation for the reference frequency for every note. But there is no difference in sensitivity between a common Strobe Tuner and an SAT. Both devices display one complete cycle of pattern movement for one beat between the measured signal and the reference signal. In theory, one could make a mechanical wheel strobe tuner with bandpass filtering to select partials and FAC-type stretch. In fact there is one advantage such a device would have over its digital cousins. An mechanical strobe wheel displays infinitely many phase positions as the pattern smoothly rotates. Digital displays have discrete steps. Now it is true that the SAT simulates a continuous display using the fact that the lights can have varying brightness. But this is not quite the same thing as having a visual pattern that moves continuously. I remember talking with the people at Peterson Electro-products several years ago about updating their mechanical strobe tuner to an all-digital product. (Note: At that time Peterson was targetting their products more to organ builders than to piano tuners.) Their thinking at the time was that the continuous nature of the mechanical strobe wheel was too valuable to give up. Robert Scott Detroit-Windsor Chapter, PTG
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