No, Jim, these refer to coincidental partials on the two notes making up the interval. In the middle sections we automatically listen to the 4:2, the bass the 6:3 and in the treble to 2:1. Newton JIMRPT@AOL.COM wrote: > > In a message dated 3/5/99 5:15:23 PM, A440A@AOL.COM wrote: > > <<"I feel like it is impossible to tune a perfect octave without defining > where > that perfection lies. If the octave is "perfect" at the 2:1 relationship, it > is not going to be at the 4:2 and even less so at the 6:3.">> > > Ed; > Isn't a 2:1 octave one octave, and a 4:2 a double octave, and a 6:3 a triple > octave? > If so, then doesn't that render moot your question and if not so, then I would > like to know the answer to the question you asked also :-) > Jim Bryant (RPT)
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