Hi Paul, > I'm not fond of shims and I don't like pins above a size 4 or of a different size than the rest in a section, if avoidable. I have used shims with great success over the years. I prefer to use sandpaper, 150 grit or so, with the sand outward against the pin hole going only about 1/2 way around the hole. Drive the same pin back in (or turn it in if needful no jack is available), tear or trim off the excess paper, replace the coil and tune. I have Laos used veneer, about 1/8" wide, walnut or mahogany because they compress, and do the same. DO not use beach, maple, rosewood or other real hard woods. > I've been on the list only 6 weeks now Is that All? Seems longer to me. > 1. Loosen 1/4 turn or so, slip off the coil and turn the pin up a little higher than it should be when at tension. The entire point of this procedure is that you do not need to do this. Waste of your time. > using a well sealed hypo syringe NO!!! First use fresh, new, and trusted source CA. Do NOT use older CA. It begins to thicken as soon as it is unsealed. All CAs come with a pointed spout and if you get the industrial quality stuff from a trusted source like Ed Dryburg you can get tubes that can allow you to control the length of the spout and it's inside diameter by stretching it. Transferring CA from one container to another will begin the setting process immediately if there is ANY contamination in the second container. If this happens the syringe will freeze up and you loose everything, syringe and glue. ALso doing this could be dangerous and hazardous to the glue. If you put _anything_ in the glue you risk contamination. If you spill it you have major problems with cleanup. The moisture still contained in the wood, even if very little, will initiate the setting process, even if slowly. The plate glass test is not a test of CA setting process since there is no moisture in the glass. I like the idea of using a syringe to finely control accelerator. Setting and curing are two different things. When glue, any type, sets it is now longer a viable glue unless it is in a joint already. When a glue cures it has reached it's full hardness. Think about using "5 minute" epoxy. You have 5 minutes before it is useless as a glue but the curing time is 24 hours. With CA the curing time is 4 hours from the time it sets. > Whack pin just enough to break glue contact. One tap, enough to cross thread the pin and I would likely not use a jack because it is a light tap and because the stress is evenly distributed across the glue joint, however much that is, and will not stress the rest of the block. If I am doing an entire piano I would use the jack. > When the pin gets whacked, does it really separate cleanly from the surrounding wood (and the glue itself). Why doesn't some of the glue remain on the pin, possibly along with bits of wood from the block? Not an issue. If it holds, it holds, and where, how or how much is irrelevant to it's function. The glue soaks deeply into the wood and adheres to the pin but if it works it works. Try one on an old piece of junk then remove the pin and look. I haven't had the opportunity yet. > Why doesn't the pin bind and jump during tuning from rubbing against a plastic and possibly uneven surface? It may very well do so, or at least grate a bit. We are trying to extend the life of something almost useless and I can put up with a few jumpy pins. Brenda Mamer wrote: > > Hi List, > > If CA glue is used, then when needed could the piano be repinned using the > original pinblock, or must the block be replaced? what about reaming and > repinning? When it comes to doing _that_ much work replace the block and be assured of a good, durable job. Have a good week all. Newton
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