Hi Clark: If you are referring to the treble break up around note 55, it can often be that this is where the string angle begins to flare out more at the bridge. Usually the strings on a grand run straight back from the tuning pin to the bridge in the top section. Then from that strut on down the scale, they begin to flare more toward the Bass side. As a result, there are fewer strings per inch along the bridge which decreases the downbearing upon the bridge. The string lengths also increase on an expontial basis. This will allow the bridge to move easier when some humidity change comes along. Now, if you are referring to the break between Bass and Tenor section, the tension of Bass strings is usually a good bit higher than on neighboring plain strings. Here again the plain strings will allow the soundboard and bridge to move easier when humidity changes come by. Jim Coleman, Sr. On Sat, 8 May 1999, Clark Sprague wrote: > I am wondering who can provide a definitive answer to the question of why most > pianos seem to go out of tune the most at the treble break. I have heard > several versions of answers, and would like to hear from the best. I am new to > the List, and inquiring minds just have to know! Clark Sprague Greenwich, > Ohio > >
This PTG archive page provided courtesy of Moy Piano Service, LLC