I agree with what Dave said here. Some of the grands are difficult for me, but I really like tuning the verticals. I don't charge extra for tuning them, but the sound quality that I end up with is not the same as that of a Yamaha. I tuned a 1976 Baldwin M grand this past week whose bridge pins were a little loose and some portions of the bridge were poorly notched. I did not notice the bridge pins until I got to the treble section and heard false beats in the strings. Since there was some falseness in the treble caused by the bridge pins, I assume that it is that way in the tenor as well. This would account for the nasal tone that it produced, right? The unisons sounded in tune, but there was a little nasal-like tone. Couldn't that be caused by a little falseness in the string, making it sound just *barely* out of tune? John Formsma Blue Mountain, MS -----Original Message----- From: owner-pianotech@ptg.org [mailto:owner-pianotech@ptg.org]On Behalf Of PDtek@AOL.COM Sent: Monday, November 01, 1999 12:41 AM To: pianotech@ptg.org Subject: Re: Baldwins cost more to tune? In a message dated 10/31/99 4:42:41 PM Central Standard Time, dianepianotuner@hotmail.com writes: << Do you charge an additional fee to tune a Baldwin? >> No, but to me they are more difficult to tune. I'm speaking of the grands, and more so the newer ones. I see a lot of them doing all of the Baldwin work for a large dealer. There seems to be too much friction at the bearing points making it difficult to equalize the string tension to get a good, stable tuning. The high treble can also have a lot of falseness. I only see the overly tight pins on some of the verticals. Otherwise I find them very easy to tune. Dave Bunch
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