Roger, I disagree. I don't think that anyone should be attempting modern music on this piano so I fail to see how your analogy works, and frankly, this attitude has harmed many historic instruments and has made the task of period performance unnecessarily speculative. You might as well suggest that music written for consorts of viols be better performed by string quartets with heavy vibrato. Few builders are reproducing antique pianos that are not of the Viennese tradition, and as mentioned, Beethoven was given an 1817 instrument of similar design (albeit ill-favored by visiting continental pianists, and apparently he never tuned it). So while the museum errs in their estimation of extant examples of this 1811 instrument, its value is not simply that of _relic_. Respectfully, Clark Panaccione, PRT ;)
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