I understand that the black filler on the old cast iron plates, under the gold paint, was made from slate dust and boiled linseed oil. Looking at a number of old plates I thought that the mixture might not have been thick like window putty, but rather like a very heavy syrup. They would pour it on, let it flow heavily over the casting, then let it dry, possibly sand a bit, then paint. Is that about right? Please correct my assumptions if you know what was actually done. What materials do they use today? ( I know many use better castings and no fillers at all.) Bill Simon Phoenix
This PTG archive page provided courtesy of Moy Piano Service, LLC