Hello List, This morning I lectured on temperaments to three sections of music theory. Before telling the students anything and with no signs on the pianos, I compared the quasi pure triads and thirds of meantone with those of equal temperament and asked the music students which they preferred. In two of three sections the class laughed at the ET triads considering them to be grossly out of tune. Others gave funny looks as they compared these. They all laughed when I told them that is how all professional technicians including myself tune most of the time. (All were freshly tuned pianos). A few from the 9:00am class preferred the ET triads. I think the faster fifths of MT were the reason as they changed their mind when I just played the thirds. All were shocked at the MT wolf intervals which I played only after the classes had voted for the MT. I also used the RCT Pianalizer to demonstrate inharmonicity and the need for octave stretch. I taught them how every interval on the entire piano is completely out of tune (tempered) including octaves and explained why. I believe all music students should be exposed to the realities of tuning as they can learn to play better with pianos and other instruments of fixed pitch. It also answers giant questions about our system of notation and why it evolved as it has. My demonstration included pianos in well, equal and meantone. The pianos will be on display for a while so that all faculty and students may sample these temperaments. I look forward to their comments. It was fun -Mike Jorgensen RPT Central Michigan University School of Music.
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