Ron: Actually, with this piano, the soundboard was the least of my gripes. It had several really nasty "DINGS" (sounded like a church bell sounding off when various notes were struck) in the central area of the keyboard. I tried everything that the dealer & Steinway suggested. I had dealer techs try their mumbojumbo, and I had Steinway concert techs from NY try to fix it (most all 1098s have the same ding - Bostons also - and the Steinway guy worked on another dinging 1098 to try & identify the ding source). The Steinway guy thought it was likely a plate design flaw (I tend to agree). Oh great. So, I dumped the dumpy little piano and traded it for a Boston GP-178 - 5 yrs. old, about the same price, way better piano. I would recommend the same course of action to any of my clients (assuming trading up is an option). Terry Farrell Piano Tuning & Service Tampa, Florida mfarrel2@tampabay.rr.com ----- Original Message ----- From: "Ron Nossaman" <RNossaman@KSCABLE.com> To: <pianotech@ptg.org> Sent: Monday, April 24, 2000 3:04 PM Subject: Re: Soundboards > >Sorry for the delay in my post here - been out of town for a couple days. > >Just had to put my 2 cents in though, as my jaw still drops when I think of > >the following: I bought a NEW Steinway 1098 several years ago and upon > >checking out the shape of the soundboard found it to have a REVERSE crown to > >the tune of over 1/4-inch. Piano didn't sound bad. I really started to get > >intrigued about pianos when I observed that the pinblock was pulling away > >from the back frame! This problematic piano is what first got me interested > >in piano technology. > > > >Terry Farrell > > > Hi Terry, > It's not at all unusual with a lot of different brands of all ages to find > soundboards in that condition. My policy is generally to leave it alone if > the owner doesn't have complaints with the sound, regardless of how I think > it sounds. Sometimes they really don't sound bad at all. The thing that > always disturbed me about this sort of thing is that often enough, the > sound will get worse and worse until the customer does notice it, usually > two years after the warranty expires, and will want to know why they > weren't notified about it. They won't ask me that if they don't know that I > knew, but I did know and didn't tell them. Conversely, when the customer > notices the sound early, and it's determined to be caused by the collapsed > soundboard, I'm suddenly in a no pay, no win war with the manufacturer > about what the problem really is. Only one manufacturer has ever believed > me when I described a soundboard problem, the rest all wanted it to be > something easier to fix. After the parade of manufacturer arranged techs > who tune, voice, regulate, buff and exorcize first the piano, then the > owner, and the dust finally settles, the sound problems are still there. I > am naturally the bad guy then, since I initially diagnosed the problem ( > incorrectly, of course - it just CAN'T be the SOUNDBOARD!) and I declined > to somehow make it go away for them quickly and cheaply, and thus cost them > a lot of money trying to patch up the problem I caused. > > So what does a tech do in these cases? If I don't mention problems to the > customer, than I'm not doing them the service I feel they have coming for > entrusting their instrument to me in the first place. If I do mention this > type of problem, I'll spend all my time battling manufacturers for free and > starve to death. I can offer to battle the manufacturer at an appropriate > rate of pay from the customer, but I've tried that and they universally > feel that they shouldn't have to pay someone to make their warranty good. I > agree. Another option would be for me to be one, or all of the guys in the > parade who tune, voice, etc, and soak the manufacturer for as much money as > I can get out of them going through the motions before I, reluctantly, > decide that it must be the soundboard after all. This seems to be the most > popular route, but I just can't do it when I know what the problem is going > in and could save everyone a lot of time and money if only... > > So that's a fairly accurate, if distasteful outline of your options with > your piano. You can keep playing it, enjoy it, and hope for the best. It > might actually never get to be a problem for you. Or you can alert the > manufacturer, or dealer, and start the show. It might not be a bad idea to > alert the dealer anyway, pre-conditioning him to the idea that you might > have a warranty claim coming up some time before it expires - or not. > > Has anybody else got any suggestions for these situations? Hopefully one > where the problem gets fixed. > > > > Ron N >
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