Bach and E.T. or W.T.

[Richard Moody]

>     Tuning for "favored" keys might have been the manner of a tuner that
> wanted the consonance of say, the key of C,  to be found in another key,
but
> there is little evidence that was commonly done.

Yes, but what evidence is there that composers were aware of "key color",
and that they chose a particular key for a particular key color in a
particular temperament?    ---ric