Hi, Terry: A couple of ideas: You might log humidity from day to day in the store. Use the Radio Shack humidity gauge (temperature too, especially if the piano is sitting in the sun), or one you can buy from Schaff. Put this info on your billings to the dealer. Of course the piano is new anyway, and will be going out bigtime because of this - even a new Yamaha. Also, if the C5 had gotten some heavy playing you expect unisons to go, also. Very fast when new, no matter how hard you work on setting pins/strings. You should see the new lease pianos at the university! Same thing. Everyone has their own stories about Yamaha pianos and pitch instability - A teacher's two C3's, same age, side by side, one rock stable, the other constantly moving, even 10 years later. Why? I believe the soundboard movement is a factor (rising and falling with humidity swings, as on any piano but more so with a new piano). The pinblock fit at the flange has been labeled the culprit, and many technicians have driven hardwood shims between the flange and the block, with reported success (never helped me any). I understood that Yamaha was more concerned with the block/webbing fit then the block flange fit, so you might make sure that the pinblock screws are not too loose, also. I bet Roger will have some good things to say about this. Missed you at the Pomona Valley PTG meeting last Monday! Hope you might make it sometime - we would love to hear your store tuning stories, problems and solutions! Bill Shull University of Redlands, La Sierra University, Riverside City College In a message dated 3/17/00 9:55:34 AM Pacific Standard Time, charly_tuner@hotmail.com writes: << Hi all, Well, I just finished logging my FIRST month as a floor tuner! All's going great with 65+ pianos tuned in that time. I've been averaging about 15+ pianos per week , 4 days per week. About 1/3 include a pitch raise. In this time I have also been asked to regulate and/or make minor repairs in some of our older trade-in stock, as well as some our new "less than top of the line models" which has been a real education! About a week ago, I tuned a new Yamaha C5, and after I was finished, I played it for a while and made sure it was stable, and sought out any stray unisons and so on. i left that piano in solid tune. I reported for work, as usual this past Monday, only to be asked by the General Manager: "Are you making sure that you 'set the pins' when you're tuning?" Now I thought this was a silly question, tantamount to asking a limo driver if he "remembers to disengage the emergency brake before he starts driving" but I said that I did, indeed. He then informed me that the SAME C5 (which I had tuned), was now sounding "terrible", so he had the other tuner (who is much more experienced than I, "re-tune" it. I thought to myself.."oh boy, this does NOT make me look good." But I COULD NOT understand how a piano could "go out" so fast! Yes, there is NO climate/humidity control of ANY kind, but still the piano should not have gone out so fast. So...YESTERDAY I walked into the (cold) studio where it is on display and decided to play each note on the piano; chromatically from A0 to C8..GUESS WHAT??? almost EVERY UNISON WAS O U T !!!!!!!!!!!! AGAIN! I immediately brought this to the attention of the manager, hoping this would prove that my tuning was/is NOT suspect afterall! He was a bit surprised, but it was clear that, for whatever reason that piano went out of tune only days after EACH of us had tuned it, the culprit was not bad tuning, but either the piano itself not holding, or more likely because of wide fluctuations in temperature and humidity. Terry >>
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