In general the higher the concert pitch.. the more "tense" the sound colour is. At least thats how I would word it. Just as say... beating thirds get quicker and quicker as you progress upwards raising concert pitch will increase the speed of all beating intervals. I experience this as a kind of tenseness, which in the extreme (as in heavily stretched trebles) can make me get this sorta frezzing / chilly feeling down my back. Phil Bondi wrote: > Today - tonight, I prepared the Steinway for the Vienna Radio Symphony - If they > pass through your town, do yourself a favor and go see them - good, young > players - the conductor does a great job.. > > anyway, I prepared the Steinway at A=442, as required in their rider, and I was > also instructed to be on stand-by for the performance - lucky me - I got to hear > a good symphony orchestra.. > > But - as the piano player told me - the orchestra is 'compromising' also - they > normally tune to A=444. > > If there is anyone out there who can tell me they hear a difference between an > orchestra at 440 or 444, please tell me what you are hearing - I can buy into > that String players tend to play sharper in the upper registers - that I will > buy - but to hear a real difference in tonality, or emotion? - I don't get it or > hear it. > > When will it end? > > Rook -- Richard Brekne Associate PTG, N.P.T.F. Bergen, Norway
This PTG archive page provided courtesy of Moy Piano Service, LLC