Hi Dan, I hope this works this time. At 11:49 PM 20/11/00 -0600, you wrote: > >> The softer the hammer, the less pronounced the higher partials...so, >>tuning irregularties show up less in a unison with a softer hammer. There is >>a 'wider' acceptance of what is perceived as 'in tune'. >> >> >>Dan Reed > >Hi Dan, > It is just the opposite, bright hammer mostly fundamental, and >low harmonic development > >An example of A4/A5 before and after voicing. > >Note A4 Partial Sec sustain Vol units Sec sustain Vol units > 1 4.46 11.26 4.46 15.36 > 2 4.04 4.26 4.32 13.28 > 3 4.32 4.60 4.46 9.03 > 4 2.51 1.76 4.04 3.90 > 5 3.48 2.33 3.90 5.71 > 6 3.76 1.95 3.62 4.89 > 7 2.65 1.84 3.90 2.01 > >Note A5 1 2.23 3.32 2.23 10.28 > 2 1.76 0.84 1.86 4.67 > 3 1.02 0.71 1.95 4.22 > 4 1.30 0.86 1.30 3.78 > 5 0.56 0.15 0.30 4.46 > >The above is from a new set of C3 hammers On the left very bright. Right is >after initial steam voicing. >The firgures were improved further after finish voicing. > >Note the ratio of the amplitude with the octave. > >Hope this helps. >Roger >Roger Jolly >Saskatoon, Canada. >306-665-0213 >Fax 652-0505 > Roger Jolly Saskatoon, Canada. 306-665-0213 Fax 652-0505
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