Jon wrote: > Carl, > You've put a lot of political arguments into this post, which I won't > answer right now. No problem. I've been known to do that from time to time Suffice to say, that Wapin is a relatively cheap > way of increasing sustain in a piano. Compared to sound board replacement, yes. Compared to using Roger Jolly's prelude to voicing techniques, no. This assumes that Wapin is effective in doing just that. I have had some private posts that questions that fact and brings up some possible bad side effects. I don't think that piano techs > will pass up Wapin based on the license fee, but it will take a while > to catch on. Only time will tell. Count me as number one. It's another tool in the rebuilding toolbox. I've got a lot of tools in my box that I never use. Can't seem to get rid of them. > > It is my understanding that Wapin requires the training because some > of the earlier unsupervised installations got screwed up. They > thought they could trust people to get it right, but they changed > their minds based on the results. > > Yes, I am a Wapin installer. OKAY! So , does that mean that a CERTFIED, APPROVED, REGISTERED, BLESSED installer that may screw up an installation gets the piano restored to it's original condition by Wapin? Respectfully, but tongue-in-cheek: Carl Meyer Assoc. PTG Santa Clara, California > > Respectfully, > Jon > > > >Robert Scott wrote: > > > > > The whole purpose of a patent is to reward inventors for disclosing > > > the details that they might otherwise choose to keep secret> > > > >In the Wapin case, how are the inventors rewarded? And by whom? I submit > >that the inventors are now the victims of large organizations and the > >government. The greedy patent attorneys at the U Of C may have caused a > >backlash that will doom the invention. I could visualize piano techs > >boycotting Wapin, not that it doesn't work, but for other reasons more > >emotional and political. > >The patent system adds to the damage by allowing costs to get out of control > >and the result will be to stifle inovation because nobody but the large > >companies can afford to get a patent and defend it. Wapin then becomes a > >part of the 99.999 % patents that make no money for the patentees. Sad > >,isn't it? > > > > > (Plus you get the training, > > > which is worth something too.) > > > >I'll pass on the training, thanks! > > Jon Ralinovsky > Piano Technician > Department of Music > Miami University > 513/529-6548 >
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