----- Original Message ----- From: "Richard Brekne" <Richard.Brekne@grieg.uib.no> To: <pianotech@ptg.org> Sent: December 14, 2001 12:35 AM Subject: Re: Temperament, A pianist responds > > I didn't say intended, I was arguing against those who say that his work cannot be legitimately played on modern instruments. > > I dont believe anyone did say that. I was responding to Stephen's statement that Beethoven's music played on a modern instrument amounts to a transcription. I think that is a bit dogmatic implies a lack of legitimacy. I think I understand what Stephen was getting at. >Getting to Beethovens, or anyone elses musical heart simply means >looking at his life and music in as much the same context as he did. >In this sense it is "correct" or "proper" to play his music on >instruments of his time, >That says in itself nothing about whether or not any particular music >can be legitimately played on modern instruments. I would agree with that, but that is not what I felt was being represented. > It seems to me that there is far more resistance on the part of those >advocating the use of modern instruments to the "legitimacy" of >playing period music on period instruments and temperaments... then >the other way around. I have never heard anybody express resistance or argue against the legitimacy of playing period music on period instruments with period temperaments. If anything, I see a strong movement toward this type of performance and I think it is a positive thing. I am a strong advocate of returning to the source to rethink and reevaluate in all things. David Love
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