I see two reasons and one possible side-effect for the overdamping system: 1. The dampers work by weight instead of by springs, like grand dampers. Del Fandrich has an interesting observation about the quality of damping by springs versus weight. 2. By hanging the dampers over the hammers, they could make the soft pedal system work. A strip of fairly stiff felt glued at the bottom edge to a slat is suspended between two dowels under the strike line, and is moved between the hammers and the strings when the pedal is depressed. Normally, this space would be occupied by underdampers. The quality of tone is quite different than a normal upright soft pedal, and the touch doesn't have to get sloppy when the left pedal is being used. 3. The overdampers don't damp as completely as underdampers. Perhaps they wanted the glow. Looking at very big, FANCY, elaborate, standard uprights which still had little bitty short bass wedges has led me to think that the makers wanted more subtle (though even) damping than we like today. Okay, Roger -- give. Susan
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