Hi to all: Paul Revenko-Jones' post on Virgil's phenomena has stimulated me to thinking that maybe Virgil really has something here. Virgil and I are good friends and for over 20 years he has been trying to help me understand his view of what he hears. I continue to trip over his use of the word beatless, but now I'm thinking that there may be a sense in which he does hear something beatless. I would like to get the HT people involved in this discussion at this point, because there seems to be something akin to this in the equal-beating scheme of historical tunings which gives the impression of no beats when actually there are beats. I have heard the HT people say that when there are proportional beatings in a temperament chord, the beatings counteract one another. What say you, Ed Foote, Bill Bremmer, Paul Bailey, Owen Jorgensen? Could Virgil be saying something which you all recognize as one of the benefits of equal beating HT's? Let's try to pursue this without the personalities issues coming up. Jim Coleman, Sr.
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