At 11:44 AM 02/11/2001 +0100, you wrote: >"Jim Coleman, Sr." wrote: > > > Hi to all: > > > > Paul Revenko-Jones' post on Virgil's phenomena has stimulated me to > > thinking that maybe Virgil really has something here. Virgil and I are > > good friends and for over 20 years he has been trying to help me > > understand his view of what he hears. I continue to trip over his use of > > the word beatless, but now I'm thinking that there may be a sense in > > which he does hear something beatless. I would like to get the HT people > > involved in this discussion at this point, because there seems to be > > something akin to this in the equal-beating scheme of historical tunings > > which gives the impression of no beats when actually there are beats. > > > > I have heard the HT people say that when there are proportional beatings > > in a temperament chord, the beatings counteract one another. > >I was thinking along similiar lines last night Jim... Bill Bremmer is often >on about a "canceling out" effect when tuning unisions. Perhaps we are >dealing with something along those lines. We are dealing with a lot of >partials intereracting when playing the two notes in an octave. Even if we >consider only the most predominant coicidents there is an awfull lot going >on. I liked Keiths comment about including (or at least not discounting) the >contribution of non-coincidents to the "whole" in this regard. When I was instructed on tuning, one check was that a major triad would cancel the slow roll of the fifth. Jon Page >I cant help but think that there must be something measureable about all >this. Its like if you can hear it and utilize it as consistantly as it would >seem our colleague Virgil does... then some how or another it should be able >to pick up via our ETD's... or perhaps some not yet thought of variant of >todays ETDs. Yet another reason for moving towards multipartial displays in >todays ETD's. > > > > What say > > you, Ed Foote, Bill Bremmer, Paul Bailey, Owen Jorgensen? Could Virgil be > > saying something which you all recognize as one of the benefits of equal > > beating HT's? Let's try to pursue this without the personalities issues > > coming up. > > > > Jim Coleman, Sr. > >I am curioius to how Virgil deals with rouge partials... ie really bad >sounding para inharmonicities. > > > >-- >Richard Brekne >RPT, N.P.T.F. >Bergen, Norway >mailto:Richard.Brekne@grieg.uib.no
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