Ron Koval wrote: > in response to Ed's post: > > ET is ET, and those that want to ascribe different "characters" to the > keys will have to explain why a piano tuned 1/2 step flat will make the key > of C sound just like the key of B. I have heard musicians recognize the > 'character" of B on such a piano, even when I was playing in C!! > Grin... I think really you have just made the perfect case for why many do ascribe different key colour to different ET keys. I suppose then that C tuned at A 440 sounds like C and not like B ??? That being said... I fail to see what all the argument is about... it is a matter of the most obvious that the type of key colour HT enthusiasts are talking about is inherently different then that found in different ET keys. In ET, intervals and chords get tenser and tenser as you progress up the keyboard... Keys then have this same general tendency. In circle of 5ths arrangements HT's do something very much different, progressive sequences of intervals and chords behave in an entirely different fashion. This lies, in part, at the heart of the key colour difference and really is not anything anyone can doubt or bring into question. ET has its kind of key colour... HT's have a different sort altogether. -- Richard Brekne RPT, N.P.T.F. Bergen, Norway mailto:rbrekne@broadpark.no
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