Pitch Raising

Farrell mfarrel2@tampabay.rr.com
Thu, 8 Nov 2001 07:51:25 -0500


I believe many have wrote that a splice in the speaking section does not
usually cause audible trouble. Especially, on an old upright, I would not
give any concern to it. You may need to remove some winding from the string
to get enough core exposed to do the splice. Again, on your piano, it is
unlikely that you are going to be troubled with degraded string tone
resulting from this procedure. I do this on older/poorer quality pianos
sometimes. And at worst - it will sound bad and you will need to replace the
string - nothing lost - you even gain, because now you will be a better
string splicer!

Terry Farrell

----- Original Message -----
From: "Stephen Airy" <stephen_airy@yahoo.com>
To: <pianotech@ptg.org>
Sent: Wednesday, November 07, 2001 10:19 PM
Subject: Re: Pitch Raising


> If you recommend splicing, then is there a way to
> splice strings IN the speaking lengths?  I have
> spliced a couple bass strings (one of which broke
> again and I had to replace cause the break was too
> close to the winding).  I've heard that it's not a
> good idea to splice plain-wire strings in the speaking
> length.  Middle C broke at the bridge (I've replaced
> the string so that one is OK now.)
>
> --- Farrell <mfarrel2@tampabay.rr.com> wrote:
> > I know it is not what you want to hear, but it
> > sounds like your strings are
> > toast. If you are not pulling the string way over
> > pitch accidentally during
> > tuning, they must just be right at their breaking
> > points. Try splicing your
> > old strings rather than replacing if money is a
> > problem.
> >
> > Terry Farrell
> >
> > ----- Original Message -----
> > From: "Stephen Airy" <stephen_airy@yahoo.com>
> > To: <pianotech@ptg.org>
> > Sent: Wednesday, November 07, 2001 1:28 PM
> > Subject: Re: Pitch Raising
> >
> >
> > >
> > > --- Farrell <mfarrel2@tampabay.rr.com> wrote:
> > > > OH, Joe, please be more specific!
> > > >
> > > > > As for the "Stretch" factors, that others are
> > > > advocating, YIKES! They must
> > > > > like replacing strings. Some of those
> > > > "over-shoots" are far in excess of
> > > > the
> > > > > normal sting breakage tolerances.
> > > >
> > > > I never overshoot more than 25 cents (I usually
> > keep
> > > > it well below that).
> > > > What kind of "over-shoots" are you referring to?
> > > > It's obvious to me 25 cents
> > > > max is typically within string breakage
> > tolerances
> > > > (on a string in good
> > > > condition). But I wonder about string
> > deformation.
> > > > How much can one pull it
> > > > up above pitch without doing something weird to
> > it -
> > > > deforming it in some
> > > > way. Anyone have any kind of data on that - I
> > > > realize it will vary with
> > > > different string diameters, but maybe at least
> > > > general info???
> > > >
> > >
> > > I've broken about 5 strings so far in my Ricca,
> > one in
> > > the temperament while I was playing the piano and
> > four
> > > in the bass while I was tuning.  All broken
> > strings
> > > snapped when they were at or below pitch.  Do you
> > guys
> > > think there's a way to avoid breaking strings in
> > the
> > > future without replacing them?   Although the
> > strings
> > > are 88 years old, I don't have the money to do a
> > full
> > > restringing job.  (I've already replaced the
> > lowest 2
> > > bass strings and that took a good sized chunk out
> > of
> > > my wallet.)  I WOULD like to be able to keep the
> > piano
> > > tuned at 440.  (It was a half-step flat a year ago
> > > when I got it and when I pulled it up I didn't
> > break
> > > any strings; the strings broke during subsequent
> > > maintenance tunings.)
> > >
> > > > Terry Farrell
> > > >
> > > > ----- Original Message -----
> > > > From: "Joseph Garrett"
> > <joegarrett@earthlink.net>
> > > > To: <pianotech@ptg.org>
> > > > Sent: Tuesday, November 06, 2001 1:26 PM
> > > > Subject: Pitch Raising
> > > >
> > > >
> > > > > Bill Bremmer & List,
> > > > > I've been following this "thread". Yes, Bill,
> > if
> > > > you use the pitch raising
> > > > > program, as I outlined in the PTJ, Dec.1999,
> > it is
> > > > very possible to get
> > > > > "Dead on", with just two passes on a 100cent
> > pitch
> > > > raise. If it doesn't
> > > > > happen, then I would be looking very carefully
> > at
> > > > the overall structure of
> > > > > the "victim piano". If the piano is solid,
> > there
> > > > should be no problem of
> > > > > attaining pitch in two passes.
> > > > > As for the "Stretch" factors, that others are
> > > > advocating, YIKES! They must
> > > > > like replacing strings. Some of those
> > > > "over-shoots" are far in excess of
> > > > the
> > > > > normal sting breakage tolerances. My advice
> > is:
> > > > DON'T DO THAT!
> > > > > Regards,
> > > > > Joe Garrett, RPT, (Oregon)
> > > > >
> > > >
> > >
> > >
> > > __________________________________________________
> > > Do You Yahoo!?
> > > Find a job, post your resume.
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> >
>
>
> __________________________________________________
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