Hello John, I am taking as given that the compression wave is significant in the > tone building of a piano string, though I am not at all convinced of > this and Conklin's paper does not provide adequate data to enable me > to verify his findings. What the relative strength is of the sounds > induced by the compression wave is the key point, since if they are > so weak as to be virtually inaudible, then the whole book goes out of > the window. > > Hello, I am far from being an expert in these things, but the "Five lectures on the acoustic of the piano" book comes with a cd with sound examples, these are not yet availed on the Web but will probably be someday. There I could hear : Sound Examples of "Yankee doodle" played on strings tuned to the same pitch. Comparison of scales of 2 different pianos, one with deliberately tuned longitudinal modes (may be Baldwin ?), the second without . The effect in the piano sound is audible clearly. Someone had broken the original CD so I can't send you the sound examples, sorry. Isaac OLEG
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