Greetings, I see the posting: <<someone.... Ed Foote I think said >something about pattern leading sometimes results in such variations. I have a >hard time thinking that this is acceptable. Hmm, I don't know that I said that, or meant to. Pattern leading should do the job, if everything else is just perfect. However, nothing is perfect. It has been mentioned that if the SW and FW's are aligned along even curves,(something I do as a preliminary step when setting up an action), then all inconsistancy is due to friction and geometry differences. I agree with this. However, I think the original post mentioned whippen assist springs in the mix, so all bets are off with that particular action. I just completed a Bosendorfer action that had had the springs cut off. There were wild variations in the FW, and I think that the factory worker that leaded those keys was doing it with the springs engaged! I set the action up to give me 12 grams of DW more than I wanted, with an even curve in the FW and SW, and then added the springs. The variations( either friction of geometry, but neither was very much) inherent in this action were then absorbed by the springs, effectively disappearing. How about breaking this thing down a little farther? The down weight is far more important than the inertial influence of lead in pianissimo playing (slow key velocity), while at FFF the inertia is more important. For the even-ness to be optimum, FW's and SW's MUST progress evenly, and the "ceilings" must be observed. It is also effective to plot a line of FW's by trial, then bring the SW's onto a smooth curve that splits the DW inconsistacy above and below the perfect DW. As soon as this is done, removal of up to 1 gram of SW from the "heavy" DW's, and removal of up to 2 gram from the FW of the "light" ones can bring an action into consistancy that is beyond the appreciation of virtually any pianist you can find. The last two tools I use on a regulation like this are a small belt sander for the hammers and a 3/8" drill bit for the key leads. Regards, Ed Foote
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