>In Young you have a pytagoaron scale that is the basic for modal music. >You have all pytagaros chords dorian, frygian, mixolydian as they are supposed to sound. >In F# You can play the Frygian mode forexample ________________ I must respectfully correct you on this Ola. Dorian, Phrygian etc. are not chords. They are modal scales (Greek) that are not related to the Pythagorean scale whose basis is pure 5ths. The structure of the Dorian mode is that of all the white piano keys from D to D. The structure of the Phrygian is from E to E (again all white keys). etc. So, it is not likely that the Phrygian mode will be played in the key of F# unless, using its key signature, you used the following notes: F#3-G natural-A natural-B-C#-D natural-E natural-F# With 4 accidentals, what is your point about playing that scale in the key of F# major? PS - As a point of interest, note that the 2nd movement of Brahms' 4th Symphony is in the Phrygian mode. He used a 4 sharp key signature because he modulates to E major, but the opening theme uses the proper accidentals to make it a true example of the Phrygian mode. Howard S. Rosen, RPT 7262 Angel Falls Ct. Boynton Beach, FL 33437 561-737-2057 hsrosen@earthlink.net
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